Roland Dyens Night And Day Rarest
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While this sub is not limited to Western classical music – there is no reason not to discuss other classical traditions here - that is currently its main focus. Contemporary music strongly influenced by classical traditions is also entirely appropriate to discuss. Popular music with significant classical influences is also welcome provided that the clear purpose is to consider that music thoughtfully in the context of classical traditions. Beyond those cases, most popular musical genres are better discussed elsewhere and will be removed from this subreddit as soon as we see them.Resources.
Roland Dyens Night And Day Rarest Game
A variety of resources to help you expand your classical knowledge. Contains guides for beginners, an index of important composers and their works, and lists of classical pieces organised by genre, era, and theme.Introductory threads.Other useful links. (live chat). Or browse them.I've been caught in the spam filter!If you can't see your post in, you may have been caught in the spam filter or had your post silently flagged as spam. And we'll have a look.
Roland Dyens Night And Day Rarest Cat
I've been playing guitar for about a decade now, and I just picked up a book of Luigi Legnani's 36 caprices in all keys for Classical Guitar. It is fast becoming a favourite of mine.Fernando Sor will always be near the top of my list for his inventive voicings and the way his melodies seem to just fit the guitar like no other instrument. Even though Bach didn't compose specifically for the guitar, some of his re-arranged pieces are also favourites of mine.Enough about my preferences - Which classical guitar composers are your favourite? What about their music do you find so compelling?EDIT: Looks like I have a big list to get through. A lot of these composers I have played before, but having a handpicked list of favourites to listen through will be a treat!.
I really love the music of the renaissance, specifically the Spanish vihuela composers and the German lute composers. The music is so rich, dark and majestic. During the Classical and Romantic eras most guitar composers imitated the great innovators of their time (Giuliani = shitty Beethoven, Mertz = shitty Mendelssohn, etc), but in the Renaissance, guitar composers were the greats.
These pieces were written by the best composers of their time for the ruling elite. In the Renaissance, the lute was the most noble and aristocratic instrument. It was valued for its subtle nuance and intellectual depth as opposed to loud horns and bowed instruments that were used in lower-class dance halls.Here are some of my favorites:Note: though these pieces were not explicitly written for the modern classical guitar, the guitar is considered the heir to these instruments (vihuela and lute) and all of the pieces listed fit well on the guitar. You know, that's precisely the thing that drew me to the Renaissance lute.
When I played the guitar, I often felt like I had to compromise. Music composed for the guitar was 'guitaristic' and fun to play, but an awful lot of it was quaint at best, whereas transcriptions of properly good music often sounded forced and were awkward to play.
Renaissance lute music, as you said, is musically second to none and in most cases a hell of a lot easier to play on the lute than on the guitar.Some lute music sounds great on the guitar, some doesn't. There really is no lute type whose music directly translates to the guitar, since early Renaissance lutes have those octave strings (which often contribute to the upper voices) and later lutes have so many courses you're forced to transpose half the bass notes. If I'd have to pick one part of the lute repertoire that sounds consistently great on the guitar, it would have to be all the superb vihuela music.Of course the danger in playing this stuff on the guitar is that it's very easy to end up blowing all - and I mean all - your savings on various lutes. I'm at two myself, a 6-course vintage Barber plus a big-ass theorbo on the way.
Nowadays I only really use my guitar about twice a year to play Brouwer on a rainy Saturday afternoon, which is no way to treat such a nice little guitar. Suppose I'll have to pass her on to finance my habit.
As a classical guitarist myself, I'm really big on modern classical composers.is ridiculously talented, I'm playing this piece at the moment and he says in the score that he improvised this piece at a party. Which, after about a month of playing it, still blows my mind.is another awesome composer, my TA is playing this piece right now and is absolutely killing it. Ridiculously hard piece of music.is another awesome guitarist/composer, this is a recent discovery of mine, and a new found favorite.It really interests me to see where the compositional scene for classical guitar is going. The Stepan Rak piece I linked hasn't even been published, but he was kind enough to send me a PDF of his handwritten manuscript so I could take a crack at it one of these days!.